![]() ![]() Then, too, there was that now-famous Roland chorus circuit, an analogue bucket-brigade design resulting in a thick swirl - the perfect companion to the Juno's noise generator. Reply pikeybastard Additional comment actions Cool, is that on iOS, osx, windows I wish I had the cash to grab a pg300 but the point of getting the alpha was having a budget analogue synth. Anything that speaks SysEx can control one of these. Roland's dependable four-pole resonant low-pass filter was joined by a simple high-pass, adding timbral variety. Ive got a Kiwi Patch Editor on my Alpha Juno 2. The DCO was joined by a sub oscillator that could add a bit of oomph, and the available pulse and the DCO's sawtooth waveforms could be used simultaneously to create interesting hybrids of the two. ![]() So why the hubbub surrounding the 106? Certainly, much credit could be given to the sound of the machine. It's a pretty generic list of specifications, not dissimilar to the many inexpensive polysynths that cropped up in the wake of the Prophet-5. Performance features were similarly anaemic - no velocity functions or aftertouch here, just Roland's favoured horizontally-aligned 'bender' and mod wheel plus a portamento knob. Rekon Audio alpha juno editor I purchased this editor and cannot get it to fully function on windows 10 due to their out of date verification process. The VST-AU Alpha JUNO Editor is a real-time MIDI synth editor that allows you full control of every parameter of the sound on the Roland Alpha Juno 1 and 2 synthesizers. And the LFO? A laughable affair with a single waveshape. Why, though, has Roland's Juno-106 entered the divine synth pantheon? Surely not because it was in any way a comprehensive synthesizer, offering as it did only a single DCO for each of its six voices, an all-too-familiar (if satisfyingly squelchy) 24dB filter and a single four-stage envelope generator shared by filter and amplitude circuits.
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